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Schönberg Composition with twelve notes only related to each other (Summary)

The row comprises all the 12 notes.
The choice of the interval leaps should be abundant. 
From the basic form of the row are derived - according to the principles of traditional counterpoint - the inversion, the retrograde and the retrograde inversion.
Any of the 4 forms may be transposed to begin on any of the 12 steps of the octave (48 permutations = modes).
Any tone can appear at any octave.
Immediate repetitions of notes are permitted.
The rhythmic order is not fixed by the row, it is unlimited and free.
A chord has no function in the tonal sense. Chord tensions are not to be valued according to traditional principles and need no resolution.

Schönberg's musical output 

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