bars 28-34
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The secondary theme in C major, gained from the first notes the C major scale, is very melodic and in its continuation is widened to a great melodic arc.
In the development Mozart only uses the theme of the bridge.
The recapitulation resumes the ideas of the exposition. The 10-bar main theme is reduced to the head of the theme, the bridge theme (the basis of the development) is left out, the secondary theme turns up in the root key F major.
A 10-bar Coda, beginning with the head of the main theme, concludes the movement in pianissimo.
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