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Rider Quartet, op.74, No.3: 4th movement
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bars 1-8
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The movements starts with a vivacious theme derived from the G-minor triad.
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bars 19-27
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Without a bridging passage the secondary theme in B-flat major turns up, also derived from the triad.
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bars 54-58
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In the development rhythmic motifs are directly derived from the themes. The beginning is formed by the head motif of the secondary theme.
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bars 59-87
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The unfolding of the main theme is interrupted by breaks and halts. A process of spiritual and emotional development can be felt in the music. Step by step the main theme comes back till it reaches a fortissimo outbreak in all instruments, leading back to the recapitulation in piano.
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bars 131-146
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The coda uses only the final bar of the main theme (formed anew in the development) and closes in G major.
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